Isabel Capeloa Gil (ed.)
Fleeting, Floating, Flowing
Water Writing and Modernity

I. Capeloa Gil: Introduction – Part I - Water Writing and Modernity – M. Schmeling: Navigatio poetae: L’eau inspiratrice chez les écrivains de la modernité – H. Buescu: Water that Flows Up and Down the River... – M. Schmitz-Emans: Water Writing: Fluid Languages and the Voices of the Sea – I. Lopez: Beachfront Property for the American Navy: Vieques Island in Mayra Montero’s The Captain of Sleepers – B. Wolf: Robinson or the Nomos of the Sea – K. Joslin: Rachel Carson and the Song of the Sea – Part II - Fluid Cultures and Poetics – I. Capeloa Gil: Hydrography, or the Anxiety of the Sea. The Nautical Chart as a Cultural Model – A. Lopes: Liquid Translation: On the Portuguese (Sub)Version of Walter Scott’s The Pirate – O. Madany: The Sea and the Desert in Modern Egyptian Writing – T. Bailey: Listening to the Music of the Ompompanoosuc – T. Ferreira: The Woman and the Sea Beyond: On Sophia de Mello Breyner – A.-M. Aly: Iris Murdoch’s The Sea, The Sea as a Maritime Pastiche – J. Ferreira: The Portuguese Fishermen of Provincetown, Massachusetts: An Oral History – Introduction

Die Herausgeberin
Isabel Capeloa Gil ist Professorin für Grammatik an der Universität Lissabon.

ca. 160 Seiten, Broschur mit Fadenheftung
Format 15,5 x 23,5 cm
Saarbrücker Beiträge 40
Erscheinungstermin: 2. Quartal
ca. € 26,00 / SFr 45,50
ISBN 978-3-8260-3837-2